Aspiring Pens

PoetryEbook

Too Much Unseen

Too Much Unseen is a book about everything that exists just beneath the surface — the love that goes unexpressed, the pain that goes unnoticed, the grief that goes unnamed. Published by Aspiring Pens, this anthology of twenty-nine poets gives voice to all that the world passes by without a second glance.

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Too Much Unseen — cover

Format

Format

Ebook

Published

01 Dec 2020

Genre

Poetry

Pages

263

Summary

Contributing Authors

Ahmad Hassan

01

Ali Abdul Hai

02

Ansa Ahmad Butt

03

Anusha Manazar

04

Arslan Zafar

05

Awais Alam

06

Dr. Ayesha Khan

07

Abu Bakr Zafar

08

Fabiha Abid

09

Fatima

10

Hina Sardar

11

Huda Jabeen

12

Kinza Malik

13

Laiba Waheed

14

Laiqa Shahid

15

Maham Nawaz

16

Mahi Sami

17

Manahil Khurseed

18

Maryam Jameel

19

Nayab Naeem

20

Safa Khan

21

Saira Khan

22

Sara Sohail

23

Sara Sohail

24

Syeda Kinza

25

Tehreem Altaf

26

Umayr

27

Zainab Gul

28

Zirwa Waseem

29
Too Much Unseen is a 2020 poetry anthology published by Aspiring Pens, gathering twenty nine independent poets whose work is united not by a single style or subject, but by a single feeling: that there is far more happening inside a person, and in the world around them, than anyone ever stops to truly see. The title is the book's quiet thesis, woven through every chapter in a different form. Some poets write about romantic love; its dizzying heights, its slow erosions, its aftermath of longing and loss, and in doing so reveal how rarely love itself is fully seen or fairly returned. Others write about grief, about mothers who carry silent sorrows, about fathers whose sacrifices go unacknowledged, about children robbed of their innocence in ways no one speaks of openly. Several voices turn to faith: to Sujood, to Allah's names and attributes, finding in the unseen presence of God what the visible world could not give them. There are poems about mental illness hidden behind smiles, about the invisible suffering of boys told not to cry, about rape survivors whose pain is dismissed, about religious minorities whose humanity goes unrecognized, and about the quiet dignity of those who keep giving even when no one notices. The styles range from delicate, imagistic verse to raw confessional prose, from tightly structured rhyme to loose, breathless free verse, each poet's form as individual as the corner of human experience they illuminate. What runs through all of it, from the first page to the last, is a collective refusal to let these things remain unseen: the book itself is the act of looking, of naming, of finally saying: this was here all along, and it mattered.

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